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熊熊燃烧
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玛莉亚姆与她的弟弟以及母亲法里哈共同居住在巴基斯坦卡拉奇的一间狭小公寓里。当玛莉亚姆的外公离世后，外公的弟弟试图迫使她们将公寓转让给他。因为缺少健全的对女性财产权的保护机制，这在巴基斯坦相当常见。玛莉亚姆的母亲受到丧父之痛和孤独的双重打击，无法理智地做出判断。玛莉亚姆对母亲的昏庸之举忿忿不平。此时，她与同学暗生情愫，并从中得到慰藉。然而，当他们的关系出现意想不到的变化时，玛莉亚姆开始深陷噩梦之中。与此同时，她的母亲被困于强势的叔叔和复杂的法律体系之间，完全忽视了女儿日渐糟糕的精神状态。玛莉亚姆的噩梦逐渐与现实交错。母女必须团结一致，才能最终战胜那些即要吞噬她们的亦真亦假的力量。
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联邦调查局第六季
更新至13集
欧美剧
Whenabusexplosionkillsseveralinnocentpeople,theteamjumpsintoaction.Scolatriestobalancefatherhoodwiththejob.
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异星战境
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在未来世界，军事情报分析师AtlasShepherd（詹妮弗·洛佩兹JenniferLopez饰），对AI有着深切的不信任感。她加入了一个任务，试图捕捉一个叛逃的机器人，而这个机器人有着神秘的过去。不过，当计划失败时，她唯一拯救人类未来免受AI侵害的希望就是去相信它。
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奇思妙探
更新至10集
欧美剧
该剧是《傲骨贤妻》的第二部衍生剧，故事基于《傲骨贤妻》和《傲骨之战》中的角色创作。ElsbethTascioni（卡丽·普雷斯顿饰）是一位精明但异于常人的律师，在芝加哥取得事业上的成功后，她来到了纽约。Elsbeth运用自己的奇异视角进行着独特的观察，协同纽约警局追捕那些狡猾的罪犯。
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灭世男孩
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男孩（比尔·斯卡斯加德饰）天生聋哑，但拥有丰富的想象力，某天，他的家人遭到统治这个国度的暴君希尔达（法米克·詹森饰）杀害，男孩因此逃到丛林内，接受一位神秘萨满的训练，压抑自己幼稚的想象力，化身为无坚不摧的杀人机器，只为了替家人复仇⋯
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面纱之下
更新至06集
欧美剧
故事探索了两个女人之间出人意料又充满不快的关系，在从伊斯坦布尔到巴黎和伦敦的路上，她们进行着一场关于真相与谎言的致命游戏。一个女人拥有一个秘密，另一个女人的使命就是在数千人丧命前揭晓这个秘密。
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慢慢
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《热恋慢慢来》（Slow）探讨鲜少被关注的无性恋者世界，在一场听障学生的舞蹈课，豪放的现代舞者艾莲娜对手语翻译员多维达斯一见钟情，对方却是位无性恋者，两人互动将激发观众对欲望的全新理解。
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桥下杀人事件
更新至08集
欧美剧
"UndertheBridge”isbasedonacclaimedauthorRebeccaGodfrey’sbookaboutthe1997truestoryoffourteen-yearoldReenaVirk(VritikaGupta)whowenttojoinfriendsatapartyandneverreturnedhome.ThroughtheeyesofGodfrey(RileyKeough)andalocalpoliceofficer(LilyGladstone),theseriestakesusintothehiddenworldoftheyounggirlsaccusedofthemurder—revealingstartlingtruthsabouttheunlikelykiller.
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绝望写手第三季
更新至09集
欧美剧
分开一年之后，DeborahVance（珍·斯马特JeanSmart饰）因其单口特辑的成功而如日中天，而Ava（汉娜·爱宾德HannahEinbinder饰）则在洛杉矶寻找新的事业机会。
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黎明终至
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故事发生在1950年代，讲述一位有抱负的年轻意大利女演员在一个漫长而紧张的夜晚中的旅程，她作为临时演员前往Cinecittà工作室试镜，经历了一些难忘的时光，这将标志着她向成熟女性的转变。
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卡夫卡
更新至05集
电视剧
Kafka’sstrainedrelationshipwithdomineeringfatherandintriguingaffairswithBauer,JesenskáandDiamantexplored,alongwithmeaningfulcamaraderiewithBrod.
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魔鬼名校
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Assignedbytheprofessor,5senioruniversitystudentswereinvitedtotheoldmansionbelongstoML.Salukjit,anoldelitewhowelcomesthemwithherweirdattitude.Beforethedecisiontoleaveorstayhasbeenmade,ML.Salukjitterrifiesthemandrevealsherdemonicpower.
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你的一部分
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这是一部以生与死为题材的故事，描绘了17岁时感觉心脏要从胸口跳出的经历。阿格尼丝的姐姐朱莉娅拥有阿格尼丝梦寐以求的一切：她是学校里最酷的人，是每个派对的中心人物，而且她正在和诺埃尔约会。要是阿格尼丝也能像她这般就好了。当最糟糕的事情发生时，阿格尼丝的世界被颠覆了，她被迫重塑自我。突然间，她即将获得自己想要的一切，但代价是什么？
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奥斯威辛的刺青师
更新至06集
欧美剧
Basedontheeponymouslytitlednovel,thisisthepowerfulreal-lifestoryofLaleSokolov,aJewishprisonerwhowastaskedwithtattooingIDnumbersonprisoners’armsintheAuschwitz-BirkenauconcentrationcampduringWorldWarTwo.
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美国之锈第二季
更新至10集
欧美剧
第二季将我们带回到虚构的宾夕法尼亚州比尔小镇。德尔·哈里斯（丹尼尔斯饰）和格蕾丝·坡（蒂尔内饰）在经历第一季的悲惨事件后试图重建自己的生活。讲述了一系列看似无关的谋杀案，背后隐藏着一个更大的阴谋，威胁着这个关系紧密的小镇上的每一个人。
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无处可逃
更新至03集
欧美剧
Adangerousgame,fulloftraps.Adisputeofpower,moneyanddesire.Ononesideoftheboard,delegateGiovannaTorres,ontheother,thewifeofabusinessman,MayaManoela.Inthisgame,onlyonewillfall.WhowillgiveCheckmate?
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应急响应第二季
更新至05集
欧美剧
SeriestwojoinsChrisCarsonsixmonthslater.Chrisisattemptingtorebuildhislife,andhisrelationships,desperatetoavoidthecorruptionthatnearlysuckedhimunder.Heistryingtobeabetterpoliceofficer,abetterman,andmostimportantly,abetterfathertohisdaughterTilly.Allwhilststilldealingwiththerelentlesstraumaofbeinganightresponseofficer.Chriswantsadayjob.Chrisneedsadayjob.Butishepreparedtoriskeverythingtogetone?
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国王与国家
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ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.