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走进非洲 4 死亡村庄
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恐怖片
泰国的一个偏远村庄不知为何被邪恶的诅咒缠住了。每当月圆之夜,诅咒就会苏醒并降临在村民身上。那些不幸得到诅咒的人会变得疯狂和嗜血。为了生存,剩下的村民必须在月夜结束之前找到诅咒的源头并打破它。
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走进非洲3:丛林险境
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恐怖片
剥削片导演JamesBryan在1990年用自己的录像带摄影机拍摄了一部丛林砍杀片,但却一直没有完成剪辑,直到2016年在BleedingSkull公司的帮助下才最终成片。
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消消气第十二季
完结
欧美剧
StarringLarryDavidasanover-the-topversionofhimself,theiconicEmmy®andGoldenGlobe®-winningcomedyseriesCURBYOURENTHUSIASMoffersatongue-in-cheekdepictionofthewriter/producer/comedian’sfictionalizedlife.Thecomedyseriescontinuestoprovehowseeminglytrivialdetailsofone’sday-to-daylifecanprecipitateacatastrophicchainofevents.Tokeepthenarrativespontaneous,theseriesisshotwithoutascriptandcastmembersaregivensceneoutlinesandimproviselinesastheygo.
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好汉两个半第七季
完结
欧美剧
本剧是美国CBS电视台的金牌喜剧,目前已获得1项艾美奖,7项其他各类大奖,包括2项金球奖提名在内的18项各类提名。Charlie是一个潇洒自由的单身汉,但离婚后被前妻剥夺了几乎一切财产的弟弟Alan带着儿子Jake的突然来访完全打乱了Charlie悠然自得的生活,三个男人一台戏,这下可有得乐了,在全美情景喜剧收视一片低迷的大背景下《TwoandaHalfMen》强势出击,夺下该类剧集收视全国第二的骄人战果,不得不让人刮目相看。好汉两个半的“半个:是因为Jake年纪太小,只能算半个。主角是兄弟俩,哥哥Charlie是典型的花花公子,非常有女人缘,职业是给广告配乐,很少工作,却能赚大把的钱,穿梭不断的美女和音乐就是他生活的全部。可是Alan的出现打破了他平静的单身汉生活。Alan离婚后被前妻赶了出来,和兄弟Charlie住在一起。职业是指压按摩师。他的事业一直停滞不前,很喜欢被人称为“医生”,尽管他算不上…Alan的儿子Jake,胖胖的很可爱,虽然年纪小小,也有点好色,无论多少东西都吃得下。大智若愚的性格,让他成为本剧的一大亮点,一点不输给两个成年的男主角。和蜡笔小新有得拼。几个黄金配角同样不可忽视,让兄弟两个对女人产生阴影的魔鬼老妈,刻薄的前妻,拽得要死的清洁女佣,还有和Charlie共渡一夜之后就跟踪了他两三年的邻居Rose。故事就在这三个主角和他们周围的女人中发生,很多的客串嘉宾哦,有Singintherain里面的女演员,绝望主妇苏珊,Charlie生活中的妻子,Charlie的爸爸老戏骨MartinSheen...众多名人美女穿梭其间。
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这座城
更新至06集
欧美剧
Theseriestellsthestoryofanextendedfamilyandfouryoungpeoplewhoaredrawnintotheworldofskaandtwo-tonemusic,whichexplodedfromthegrassrootsofCoventryandBirminghaminthelate70sandearly80s,unitingblack,white,andAsianyouths.Itisexpectedtoopenin1981atamomentofhugesocialtensionsandunrest.Againstthisbackdrop,ittellsthestoryofagroupofyoungpeoplefightingtochoosetheirownpathsinlife,andeachinneedofthesecondchancethatmusicoffers.
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美国之锈第二季
更新至10集
欧美剧
第二季将我们带回到虚构的宾夕法尼亚州比尔小镇。德尔·哈里斯(丹尼尔斯饰)和格蕾丝·坡(蒂尔内饰)在经历第一季的悲惨事件后试图重建自己的生活。讲述了一系列看似无关的谋杀案,背后隐藏着一个更大的阴谋,威胁着这个关系紧密的小镇上的每一个人。
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魔袋谎言
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恐怖片
马特急于救治奄奄一息的妻子,他求助于一个具有黑暗魔法的古老魔袋,但使用魔袋需要进行令人不寒而栗的仪式并遵守严格的规则。在妻子的病逐渐痊愈后,马特却陷入了崩溃状态,他面临着可怕的后果。
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国王与国家
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战争片
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
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兵马俑揭秘
HD
纪录片
兵马俑是一支由8000名陶制士兵组成的军队,为守卫中国第一位皇帝的陵墓而建。在被发现50年后,这个独特的考古遗址还能挖掘出哪些新的秘密呢?这部专题纪录片由《塞加拉陵墓揭秘》的创作者打造,探索了秦始皇非凡的陵墓。
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大雪茄
更新至06集
欧美剧
追随著名的黑豹党的领导人【休伊·P·牛顿】的一生。在《逍遥骑士》背后的好莱坞制片人伯特·施奈德(BertSchneider)以及其他一些名人激进分子的帮助下,他逃到了古巴,以避免因谋杀罪被起诉。
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星球大战:侍者
更新至08集
欧美剧
故事背景设定在至高共和国时代末期,一个充满“阴暗秘密与新兴黑暗势力”的世界。受人尊敬的绝地大师Sol(李政宰饰)同昔日前绝地徒弟Mae(阿曼德拉·斯坦伯格饰)深入调查绝地武士接连被杀害的真相,他们要面对的势力比预想中更加险恶,更不知不觉间走入黑暗漩涡之中……
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迷失的男孩和皇后
更新至03集
欧美剧
GabrielandhispartnerAndyadoptachild.ButGabrielhasahistoryandhewillneedtoembarkuponajourneyofself-discoveryandattempttorepairhisrelationshipwithhisdadbeforehecantrulybegintoparent7-yearoldJake.
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东方夏威夷
HD
剧情片
一对夫妻Bob(约翰·莱斯利饰)和Mildred(杰茜·圣杰姆斯饰)有2个儿子Ron(杰西·亚当饰)和Burt(乔恩·马丁饰),还有两个女儿Jayle(朗达·乔·佩蒂饰)和Peggy(Danielle饰),夫妇再也负担不起与他们同住的成年子女们,于是他们决定将房间出租给一对亚洲女孩(林美和翁玉)。,不久之后两个亚洲女孩就开始对家里的每个人进行实验,很快一场全面的爱情盛宴就爆发了。
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王室丑闻
更新至03集
欧美剧
Thethree-partlimitedserieswillfollowEmilyMaitlis’professionalandpersonaljourneyasaNewsnightjournalist,leadinguptoheracclaimedinterviewwithPrinceAndrew.InPrinceAndrew’sdisastrousinterviewwithNewsnight’sEmilyMaitlis,heexplainedhisfriendshipwithJeffreyEpstein.