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恶狼
HD
恐怖片
本片讲述的是一个石油公司派了一群专家找到了新的油源，准备进行地面开采石油，但后来意外释放了像狼一样凶猛的野兽，附近的小镇因此遭到了严重的破坏。镇上的生物被屠戮殆尽，最终最后幸存的美国原住民结束了这场可怕的灾难。
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猫1998
HD
剧情片
"Jellicle"catsjoinforaJellicleballwheretheyrejoicewiththeirleader,OldDeuteronomy.Onecatwillbechosentogotothe"HeavysideLayer"andbereborn.Thecatsintroducethemselves.
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蜿龙
HD
科幻片
美国阿拉斯加比弗米尔斯小镇，宁静幽雅，为青山碧水环绕。这里的人们过着舒适平静的生活，他们即将迎来夏天最快乐的时刻——极昼，这是小镇上一年一度的快乐节日。但在此之前，怪异事件不断发生，钓鱼老人神秘失踪，凭空出现的驯鹿尸体，空无一人且布满血迹的汽车。原来小镇旁边的湖里出现一只恐怖的蜿龙，这个本该灭绝的史前动物从极度冰冷中活转过来，不断向人类发起攻击。原本快乐的节日因此变得充满恐慌，人们被迫待在屋中。但这并不能解决一切，小镇上的人们想方设法向这个怪物做出反击……蜿龙，西方神话传说中的龙，通常具有两条腿，两只爪子和一对翅膀，会向敌人喷火，在传说中经常以邪恶反派的形象出现。
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勉强度日
HD
剧情片
在葡萄牙的北岸，五个不同世代的女人正共同努力经营着她们的家族酒店，试图将它从一个无可避免的衰败中解救出来。与此同时，这个家庭深陷在一个长久无法解决的矛盾之中：她们都学不会爱自己的女儿，也因此她们都不懂要如何当一个母亲。外孙女Salomé（MadalenaAlmeida饰）的突然到来搅乱了整个局面，所有的旧伤口都被撕开，潜在与沉积的怨恨都浮出了水面。于是，她的母亲Piedade（AnabelaMoreira饰）作出了一个非常大胆的决定。本作讲述的是酒店经营者一家的故事，入围第73届柏林电影节主竞赛单元。其姊妹电影《ViverMal》则是聚焦于到访酒店的客人，入围同一届的奇遇单元。
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Triple Oh!
更新至05集
欧美剧
Inspiredbyrealpeople,Stockellsetshersightsontwoambulanceparamedics.Theirpersonalitiesclash,butthenoneofthemintroducestheothertoherunconventionalpolicyofhavingsexwhenapatientdies.“It’saboutlove,deathandsex,andthewayswefindmeaningdespiteknowingthatsoon,we’llallbegone,”shesays,mentioning“incredibleparamedics”whosharedtheirstories.“Theyareamongtheworld’sbestinconfrontingfearwithhumorandlaughingwhenfacedwithaloss.Thisistheworldwewantedtoexplore.”
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蒲公英的灰尘
HD
剧情片
杰克（科尔·豪瑟ColeHauser饰）和莫利（凯特·勒维宁KateLevering饰）是一对平凡的夫妻，他们和收养来的儿子乔伊（MaxwellPerryCotton饰）过着平静而又安宁的生活。虽然乔伊并非亲生，但莫利和杰克早就将其视如己出。一天，一通突如其来的电话让美好的生活化作了泡影。原来，乔伊的生父名叫瑞普（巴里·佩珀BarryPepper饰），刚刚出狱的他同妻子温蒂（米拉·索维诺MiraSorvino饰）做出了一个莽撞的决定，他们决定将乔伊从莫利和杰克的身边带走，去建立属于他们的新家庭。这一消息使夫妻二人陷入了极度恐慌，为了保护乔伊不被夺走，他们的脑海里开始酝酿出了一个计划。而在四个大人剑拔弩张之际，谁也没有想到去问一问作为当事人的乔伊心中的想法。
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马克思和莱昂的疯狂故事
HD
喜剧片
MaxandLéon’sadventures,twochildhoodfriendsidleandparty-goer,whoaretryingtoescapetheSecondWorldWar.@www.molikan.com
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国王与国家
HD
战争片
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
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