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镜子的另一面：纽波特民歌艺术节1963~1965
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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大宝贝
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Amadscientistgrandfatherinventsagenetictransformationmachineandhis4yearoldgrandsonaccidentallyturnshisbodyintothatofa30yearoldman.BabyBobbyescapesandrunsaroundtownashissiblingstrytocatchhimbeforetheirparentsgetbackfromvacationANDbeforethebadguysgettohimfirst.Themachineisworthalotofmoneyandtheyonlyhaveadaybeforethemachinelosesitscapabilitiestochangebabybobbyback.
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阿莫雷的最后一夜
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Milan.Onthenightbeforehisretirementafter35yearswithouthavingfiredashot,LieutenantAmoreseeshisworldturnedupsidedown.Butmaybeitistheworldaroundhimthathaschanged.Athrillerpoisedperilouslybetweenlawandcriminality.源自：https://www.berlinale.de/en/2023/programme/202314306.html
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朱弦玉磐
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Followsayoungmanverypassionateaboutmusic.Hehastocometotermswithanuncertainfuturewhilebalanceshislovinglife,familyandBraziliancultureinNewJersey.
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洋葱电影
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洋葱电视台以新闻播报准确及时而著称，同时还制作许多专题采访节目，比如采访动作明星“击蛋侠”（史蒂文•西格StevenSeagal饰）和清纯流行偶像歌手梅丽莎•雪莉（莎拉•迈克埃利戈特SarahMcElligott饰）等。随着美国的全球性文化输出，就连在中东恐怖分子集训营受训的恐怖分子也偷看洋葱电视台的节目。电视台的新闻主播诺姆•阿彻（莱恩•卡利欧LenCariou饰）反对高层与大公司合营的决定，尤其对新闻播报时插播玩具企鹅的广告不满。忍无可忍的诺姆决定在某次直播过程中宣布自己深思熟虑的宣言，但就在开口之际，洋葱电视台突遭恐怖分子袭击，诺姆被挟持，事态严峻。
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海豚2023
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ThemostimportantthingforNa-young,whohaslivedherentirelifeinasmallseasidevillage,istakingcareofherfamilyandfriends.However,hermothertriestoselltheirprecioushousefullofmemories,andheryoungerbrotherinsistsonmovingtoSeoul.WhileNa-youngstrugglestoacceptthechanges,shecomesacrossbowlingandbeginstospendmoreandmoretimeatthebowlingalley.源自：https://siff.kr/en/films/%eb%8f%8c%ed%95%80/
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枪手
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ThefilmfollowsSpecialforcesveteranLeeGunnerashetakeshistwoboysonacampingtrip,wheretheboysstumbleuponafentanyllabandarekidnappedbydrugrunners.Unfortunatelyforthedrugrunners,Leewillstopatnothingtogethisboysbacksafely,goingupagainstnotonlythecriminalcartel,buttheFBIandlocalpoliceaswell,usingthefullforceofhisdeadlyabilitiestoreunitehisfamily.
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角色扮演
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正浩（李东奎饰）是一名作家，正在创作一部小说。他和妻子智秀（金贞善饰）结婚多年，可妻子却依然对风流的丈夫放心不下，时时疑心四起。惠仁（韩荷宥饰）是清纯善良的女大学生，因为样貌和正浩的初恋情人格外相像而引起了正浩的注意。正浩无法按耐住自己内心里洋溢的激情，又碍于妻子的防范，于是将惠仁的形象写进了书中，哪知道一次偶然之中，智秀发现了正浩的秘密，善妒又愤怒的她发誓不会就此善罢甘休。与此同时，正浩和惠仁之间的关系亦走向了失控，这一段复杂的三角关系究竟会走向怎样的结局呢？在两个女人之间，正浩会做出怎样的选择？